Exclusive Q&A with VANESSA PARISE, Director
By Sara Lynne Wright
What attracted you to #POPFAN?
Lisa Hamilton Daly, a really smart, accomplished executive at Lifetime, brought the project to me to direct. When I read the script, I could immediately visualize the style I wanted to shoot. I saw pockets of practical light with bits of scenes disappearing into the shadows, and moving cameras shooting through layers of depth as we revealed the characters.
One of Lifetime’s goals is to bring in the twenty-something audience, so this film could be edgy – visually and thematically dark. The script also had very challenging acting roles for the actors. One of my strengths as a director is working with actors, so I love complex roles that actors can really dig into – characters I want to keep watching.
Read moreJune 2008 | Vanessa Parise
Vanessa Parise (Writer, Director, & Producer, KISS THE BRIDE, JILL VS. THE WORLD)
By Amit Samuel
After two years at the highly-competitive Circle in the Square Theater School in New York, Vanessa Parise had a choice: medicine or theater. To help her decide, Vanessa turned to her mentor at the American Repertory Theater, Robert Brustein. He helped Vanessa choose the career that she had secretly desired since elementary school.
Although a biology concentrator at Harvard College, Vanessa was also immersed in the arts, singing with the Opportunes and performing in many student plays. She excelled in biology, earning admission to Harvard Medical School. Before committing to medicine, though, Vanessa felt compelled to explore her passion for the theater.
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